Date of Issue: 14 February 1995
National Dances:
50 Fils - Al-Naashat
175 Fils - Al-Ayaalah
2 Dirhams - Al-Shahhoh
The United Arab Emirates is a part of the Arab Khaleeji tradition. Yowla is a type of music and dance performed mainly in communities of Bantu people from the African Great Lakes region. During celebrations singing and dancing also took place and many of the songs and dances, handed down from generation to generation, have survived to the present time. Young girls would dance by swinging their long black hair and swaying their bodies in time to the strong beat of the music. Men would re-enact battles fought or successful hunting expeditions, often symbolically using sticks, swords, or rifles.
50 Fils - Al-Naashat
The Naashat also call Khaleeji Hair Dancers is usually performed in groups of no less than 4 female dancers. The dance is organised with formations of women in one one line standing, who take turns hair stirring. Pacing the dance and the songs are traditional drums and tambourines. The formation of participants can also include a separate section of women who in their turn recite and dance to praise the victory. The colorful dresses of these Naasha add beauty and glamour to the event.
National Dances:
50 Fils - Al-Naashat
175 Fils - Al-Ayaalah
2 Dirhams - Al-Shahhoh
The United Arab Emirates is a part of the Arab Khaleeji tradition. Yowla is a type of music and dance performed mainly in communities of Bantu people from the African Great Lakes region. During celebrations singing and dancing also took place and many of the songs and dances, handed down from generation to generation, have survived to the present time. Young girls would dance by swinging their long black hair and swaying their bodies in time to the strong beat of the music. Men would re-enact battles fought or successful hunting expeditions, often symbolically using sticks, swords, or rifles.
50 Fils - Al-Naashat
The Naashat also call Khaleeji Hair Dancers is usually performed in groups of no less than 4 female dancers. The dance is organised with formations of women in one one line standing, who take turns hair stirring. Pacing the dance and the songs are traditional drums and tambourines. The formation of participants can also include a separate section of women who in their turn recite and dance to praise the victory. The colorful dresses of these Naasha add beauty and glamour to the event.
Is a female dance style done with a decorative long dress called thobe Nashaal (this costume is actually considered oud fashion in the Gulf area but we still use it during khaliji presentations).
The name of the dance Nasha'at may refers to the hair movements as the arabic word nashaat meanshair, but in another context can be translate to blossoming flower. Sometimes appear the term Nashaal as the name of the dance which means pickpocket and also can refers to the traditional movement done with the thobe.
"During the wedding party hired musicians play popular songs and younger women usually perform the traditional dances of their area, oftentimes wearing traditional dresses called thawb nashal. Most of the movements are from the shoulders and the head. There is a little shimmying in the shoulders, small drops with the hips, and gliding of the feet. One distinct movement is called na'ish, or tossing the hair, in which women loosen their waist-long hair and swing it in circles, which is considered a higher and more enthusiastic level of performance. Na'ish is said to have originated from the Bedouin tribes and is performed along the Gulf coast.
I don't know if that clarifies anything. Arabic can be misleading in transliteration--could be variations on the same root, could be two words that coincidentally both have nuun and sheen in them. I'm wondering if the "hair" etymology isn't simply a misunderstanding. Why would a dress be named after hair? The dress is simply a fancy improvement over what is worn normally, so the idea that it's a way to express that (as opposed to linking it to a dance that may or may not be done while wearing it) does seem plausible."
The dance is based in the hair movement, special footwork, pickpocket of the thobe and unique gestures with hands and wrist - "The most basic movement of the dance is a limpy step with one foot flat and the other on the ball. This step might glide the dancer along sideways or alternate RLR pause, LRL pause. The body is very relaxed, hips are allowed to push back when lifting onto the ball of the foot."
The Saudi women are proud about their long hairs and is one of the most special moments in the dance to tossing the hair side-to-side to the point that the dancer's hair creates figure eights. These movements can be a representation of the sea waves as believes an antroplogist Melinda Smith married into a Kuwait family.The water and hair are connect as a symbol of fertility from Ancient times in the Persian Gulf.
The traditional costume is a long dress called thobe nashaal which is possible to play with the fabric to cover the face, pickpocking the borders, cover the head ect.
175 Fils - Al-Ayaalah
Al Ayala dance also generally known as yowalah is a traditional group dance of United Arab Emirates, The dance is accompanied with traditional music, and a separate group of male and female are represented. Yowalah is distinctive in both its music and dancing. Leather bagpipes, flute and drums are the traditional musical instrument played during the dance.
Generally known as the ‘stick dance’, this traditional fascinating UAE folk dance is accompanied by drumming and performed by two rows of dancers facing one another. Dancers are positioned close together in rows, signifying the unity and co-operation amongst tribal people.
The dance is usually performed at top events, national ceremonies and weddings in the UAE.
History.
Al-Ayyala is a popular and expressive cultural performance practised in north-western Oman and throughout the United Arab Emirates. Al-Ayyala involves chanted poetry, drum music and dance, and simulates a battle scene. Two rows of about twenty men face each other, carrying thin bamboo sticks to signify spears or swords. Between the rows musicians play large and small drums, tambourines and brass cymbals. The rows of men move their heads and sticks synchronously with the drum rhythm and chant poetic lyrics, while other performers move around the rows holding swords or guns, which they occasionally hurl to the sky and catch. In the United Arab Emirates, girls wearing traditional dresses stand at the front, tossing their long hair from side to side. The melody has seven tones in an irregular repeated pattern, and the chanted poetry varies according to the occasion. Al-Ayyala is performed during weddings and other festive occasions in both the Sultanate of Oman and the United Arab Emirates. Performers come from diverse backgrounds and age groups. The lead performer is usually an inherited role and is responsible for training others performers. Al-Ayyala is inclusive of all ages, genders and social classes. Yowalah is considered a victory dance, and it used to be performed usually after a victory in a tribal war or after returning from a successful pearl diving. The dance form is included in Unesco cultural heritage list.
Al Ayala and UNESCO
UAE has successfully recorded Al Ayala on UNESCOs Representative List of Intangible Cultural Heritage Items of Humanity in November 2014, in cooperation with Oman. Being part of this important list will contribute towards reviving and promoting Al Ayala as part of the region’s national identity and the heritage of humanity as a whole. Additionally, this listing helps in transferring knowledge, skills, and the values of Al Ayala from one generation to another - and contributes towards achieving respect, mutual understanding, and peace amongst the people of the UAE.
2 Dirhams - Al-Shahhoh
Emirati music and dance are performed to express happiness during joyous occasions such as Eid, engagements, wedding parties and celebrations in general. The UAE has its own exclusive types of music and dance that have been regularly practised in the past and are still a well-kept tradition for today's generation — and surely for generations to come.
UAE musical instruments include the famous oud (a stringed instrument), drums; tambourine, (which Emiratis call the daf), rababa (a stringed instrument), tanboura, doumbek (a goblet drum) and the nai.
Emiratis have shown these musical instruments were used many years ago by Bedouins. Since then, generations have passed their knowledge on about them, until they have become an integral part of UAE heritage. The instruments are also widely used in the region.
In days gone by Emirati music and dance was played and performed to entertain workers who had usually accomplished some kind of success. For example, for the Emirati pearl voyagers, traditional songs were sung by a Nahaan.
A famous UAE dance is called the Al Ayyalah, which is practised only in the UAE. It is accompanied by a large drum called Al Ras.
Its solid, deep tones, sets the beat for the three smaller takhamir drums. The dance is performed only by men and 25 is the minimum acceptable number for a performance of the Al Ayyalah.
Occasionally, participants number 200, and they stand in two equal rows that face each other with arms linked, as a gesture of unity and support. Then they gently wave sticks in front of them and sway back and forth. Each row sings in a declaration of a challenge to the opposite group.
The Harbiyah is another traditional dance that reflects victory, pride and courage.
The Liwa is a dance that was brought to the Gulf by East African traders. It is danced to African-style music and features a pipe-flute called the mizmar. The three backing drums for this dance are the shindo, the jabwah, and the jasser.
The Liwa begins with the mizmar solo of about six minutes in a slow tempo, later the drums join in and are followed by ten dancers or singers and gradually the pace increases to a swirl of activity. This type of dance accepts participants of both men and women and usually takes about 25 minutes.
The Haban is another type of dance, which is also known as the Khamiri or the Khayali. The names refer to the stringed musical instrument that control the dance. The performance is carried out by three groups. The first one consists of six to eight men, the second is made up of the same number of women, and the third comprises nine or 10 musicians.
The conductor of the performance is the player of the Haban. Men and women performers move on a two-step steady rhythm forth and back.
There is a huge variety of music and dance in the UAE. Emiratis were — and still are, strongly attached to playing the oud and performing the Al Ayyalah during special occasions.
The name of the dance Nasha'at may refers to the hair movements as the arabic word nashaat meanshair, but in another context can be translate to blossoming flower. Sometimes appear the term Nashaal as the name of the dance which means pickpocket and also can refers to the traditional movement done with the thobe.
"During the wedding party hired musicians play popular songs and younger women usually perform the traditional dances of their area, oftentimes wearing traditional dresses called thawb nashal. Most of the movements are from the shoulders and the head. There is a little shimmying in the shoulders, small drops with the hips, and gliding of the feet. One distinct movement is called na'ish, or tossing the hair, in which women loosen their waist-long hair and swing it in circles, which is considered a higher and more enthusiastic level of performance. Na'ish is said to have originated from the Bedouin tribes and is performed along the Gulf coast.
I don't know if that clarifies anything. Arabic can be misleading in transliteration--could be variations on the same root, could be two words that coincidentally both have nuun and sheen in them. I'm wondering if the "hair" etymology isn't simply a misunderstanding. Why would a dress be named after hair? The dress is simply a fancy improvement over what is worn normally, so the idea that it's a way to express that (as opposed to linking it to a dance that may or may not be done while wearing it) does seem plausible."
The dance is based in the hair movement, special footwork, pickpocket of the thobe and unique gestures with hands and wrist - "The most basic movement of the dance is a limpy step with one foot flat and the other on the ball. This step might glide the dancer along sideways or alternate RLR pause, LRL pause. The body is very relaxed, hips are allowed to push back when lifting onto the ball of the foot."
The Saudi women are proud about their long hairs and is one of the most special moments in the dance to tossing the hair side-to-side to the point that the dancer's hair creates figure eights. These movements can be a representation of the sea waves as believes an antroplogist Melinda Smith married into a Kuwait family.The water and hair are connect as a symbol of fertility from Ancient times in the Persian Gulf.
The traditional costume is a long dress called thobe nashaal which is possible to play with the fabric to cover the face, pickpocking the borders, cover the head ect.
175 Fils - Al-Ayaalah
Al Ayala dance also generally known as yowalah is a traditional group dance of United Arab Emirates, The dance is accompanied with traditional music, and a separate group of male and female are represented. Yowalah is distinctive in both its music and dancing. Leather bagpipes, flute and drums are the traditional musical instrument played during the dance.
Generally known as the ‘stick dance’, this traditional fascinating UAE folk dance is accompanied by drumming and performed by two rows of dancers facing one another. Dancers are positioned close together in rows, signifying the unity and co-operation amongst tribal people.
The dance is usually performed at top events, national ceremonies and weddings in the UAE.
History.
Al-Ayyala is a popular and expressive cultural performance practised in north-western Oman and throughout the United Arab Emirates. Al-Ayyala involves chanted poetry, drum music and dance, and simulates a battle scene. Two rows of about twenty men face each other, carrying thin bamboo sticks to signify spears or swords. Between the rows musicians play large and small drums, tambourines and brass cymbals. The rows of men move their heads and sticks synchronously with the drum rhythm and chant poetic lyrics, while other performers move around the rows holding swords or guns, which they occasionally hurl to the sky and catch. In the United Arab Emirates, girls wearing traditional dresses stand at the front, tossing their long hair from side to side. The melody has seven tones in an irregular repeated pattern, and the chanted poetry varies according to the occasion. Al-Ayyala is performed during weddings and other festive occasions in both the Sultanate of Oman and the United Arab Emirates. Performers come from diverse backgrounds and age groups. The lead performer is usually an inherited role and is responsible for training others performers. Al-Ayyala is inclusive of all ages, genders and social classes. Yowalah is considered a victory dance, and it used to be performed usually after a victory in a tribal war or after returning from a successful pearl diving. The dance form is included in Unesco cultural heritage list.
Al Ayala and UNESCO
UAE has successfully recorded Al Ayala on UNESCOs Representative List of Intangible Cultural Heritage Items of Humanity in November 2014, in cooperation with Oman. Being part of this important list will contribute towards reviving and promoting Al Ayala as part of the region’s national identity and the heritage of humanity as a whole. Additionally, this listing helps in transferring knowledge, skills, and the values of Al Ayala from one generation to another - and contributes towards achieving respect, mutual understanding, and peace amongst the people of the UAE.
2 Dirhams - Al-Shahhoh
Emirati music and dance are performed to express happiness during joyous occasions such as Eid, engagements, wedding parties and celebrations in general. The UAE has its own exclusive types of music and dance that have been regularly practised in the past and are still a well-kept tradition for today's generation — and surely for generations to come.
UAE musical instruments include the famous oud (a stringed instrument), drums; tambourine, (which Emiratis call the daf), rababa (a stringed instrument), tanboura, doumbek (a goblet drum) and the nai.
Emiratis have shown these musical instruments were used many years ago by Bedouins. Since then, generations have passed their knowledge on about them, until they have become an integral part of UAE heritage. The instruments are also widely used in the region.
In days gone by Emirati music and dance was played and performed to entertain workers who had usually accomplished some kind of success. For example, for the Emirati pearl voyagers, traditional songs were sung by a Nahaan.
A famous UAE dance is called the Al Ayyalah, which is practised only in the UAE. It is accompanied by a large drum called Al Ras.
Its solid, deep tones, sets the beat for the three smaller takhamir drums. The dance is performed only by men and 25 is the minimum acceptable number for a performance of the Al Ayyalah.
Occasionally, participants number 200, and they stand in two equal rows that face each other with arms linked, as a gesture of unity and support. Then they gently wave sticks in front of them and sway back and forth. Each row sings in a declaration of a challenge to the opposite group.
The Harbiyah is another traditional dance that reflects victory, pride and courage.
The Liwa is a dance that was brought to the Gulf by East African traders. It is danced to African-style music and features a pipe-flute called the mizmar. The three backing drums for this dance are the shindo, the jabwah, and the jasser.
The Liwa begins with the mizmar solo of about six minutes in a slow tempo, later the drums join in and are followed by ten dancers or singers and gradually the pace increases to a swirl of activity. This type of dance accepts participants of both men and women and usually takes about 25 minutes.
The Haban is another type of dance, which is also known as the Khamiri or the Khayali. The names refer to the stringed musical instrument that control the dance. The performance is carried out by three groups. The first one consists of six to eight men, the second is made up of the same number of women, and the third comprises nine or 10 musicians.
The conductor of the performance is the player of the Haban. Men and women performers move on a two-step steady rhythm forth and back.
There is a huge variety of music and dance in the UAE. Emiratis were — and still are, strongly attached to playing the oud and performing the Al Ayyalah during special occasions.
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