USA 2021 - Tap Dances

Technical Details:
Date of Issued: 10 July 2021
Denomination: First-Class Mail Forever
Designer: Ethel Kessler, Bethesda, MD
Photographer: Matthew Murphy, New York, NY
Modeler: Joseph Sheeran
Manufacturing Process: Offset
Printer: Ashton Potter (USA) Ltd (APU)
Press Type: Muller A76
Print Quantity: 18,000,000 Stamps
Paper Type: Nonphosphored Type III, Block Tag
Adhesive Type: Pressure-Sensitive
Colors: Black, Cyan, Magenta, Yellow, Custom Spot Grey
Stamp Size: 24.892 x 39.624 mm

The U.S. Postal Service issued the Tap Dance stamps today during the Tap It Out — Tap City, New York City Tap Festival in Times Square. The Forever stamps are now for sale at Post Offices nationwide. News of the stamps is being shared with the hashtags #TapDance and #TapDancestamps.

“Today, we are celebrating the American art form of tap dance with these vibrant stamps in the heart of Times Square as the Postal Service recognizes one of our nation’s greatest contributions to the world of dance,” said Lorraine G. Castellano, U.S. Postal Service New York district manager and executive in charge.

Joining Castellano to dedicate the stamps were American Tap Dance Foundation Inc. Founding Artistic and Executive Director Tony Waag; tap dancers Ayodele Casel, Michela Marino Lerman and Max Pollak; and stamp photographer Matthew Murphy.

“I’m very excited that people can use these new Tap Dance stamps on their cards and letters as they truly represent this American art form,” Waag said. “For over 40 years, I’ve been dedicated to promoting tap dance as a serous form of expression, so I’m extremely proud that the Postal Service is bringing awareness to this art by issuing these dynamic stamps.”

Background

Historians trace the deep roots of tap dancing to the beginning of the trans-Atlantic slave trade, especially to contact between enslaved Africans and Irish and Scottish indentured servants on Caribbean plantations in the 1600s. In Colonial America, a wide range of dance elements with African origins — including a relaxed torso, hip movement, improvisation, using the body as a percussive instrument, and the rhythmic shuffling, gliding or dragging of the feet — became intertwined with the rapid footwork of the Irish jig and the percussion of English clog dancing.

Whether cultures intermingled in the rural South or in crowded city neighborhoods, the result was a budding new set of hybrid dance forms based on a skilled and ever-changing combination of movement and sound.

By the 1920s, tap as we know it had fully emerged and was popular on the Broadway stage. During the 1930s and 1940s, movies tended to highlight white dancers who tapped in a choreographed style that showed the influence of dance schools, while African American dancers were more likely to be seen performing off-screen in a more improvisational style with jazz-influenced rhythms. By the 1950s, interest in tap dancing was waning, but by the 1970s, aspiring tap dancers looked to their elders and learned from their skills and experience.

As young dancers from wide-ranging backgrounds began to study tap again, new generations of professionals infused tap with influences from jazz and hip hop to express their own personalities and experiences. From its roots in popular entertainment, tap has grown into a significant art form praised as a major American contribution to world dance.

As it continues to evolve, tap will be equally at home in the most prestigious performance halls and on the streets, building on tradition while staying fresh with the infusion of new cultural influences.

Art director Ethel Kessler designed the stamps from photos taken by photographer Matthew Murphy.