Folk Dances:
30 Kurus - Halk Oyunlari (Bar)
50 Kurus - Halk Oyunlari (Caydacira)
60 Kurus - Halk Oyunlari (Halay)
100 Kurus - Halk Oyunlari (Kilic-Kalkan)
130 Kurus - Halk Oyunlari (Zeybek)
30 Kurus - Halk Oyunlari (Bar)
With their structure and formation, they are the dances performed by groups in the open. They are spread, in general, over the eastern part of Anatolia (Erzurum, Bayburt, Agri, Kars, Artvin and Erzincan provinces). 30 Kurus - Halk Oyunlari (Bar)
50 Kurus - Halk Oyunlari (Caydacira)
60 Kurus - Halk Oyunlari (Halay)
100 Kurus - Halk Oyunlari (Kilic-Kalkan)
130 Kurus - Halk Oyunlari (Zeybek)
30 Kurus - Halk Oyunlari (Bar)
The characteristic of their formation is that they are performed side-by-side, hand, shoulder and arm-in-arm. Woman and man bars are different from one another. The principal instruments of our bar dances are davul and zurna (shrill pipe). Later, clarinet has been added to the woman bars. The dominant measures in bars are 5/8 and 9/8. Occasionally measures of 6/8 and 12/8 are used. Aksak 9/8 measures which are also the most characteristic measures, in particular, of the Turkish folk music are applied with extremely different and interesting structures in this dance.
Better known as Elazig Dances, The instruments for this dance are the clarinet and the drum. The names of the dances are: Cayda cira which is a special kind of dance where the dancers hold burning candles on their hands, fatmali halay (only men), buyukceviz (only women) and delilo.
60 Kurus - Halk Oyunlari (Halay)
This folk-dance is performed to a large extent in the Eastern, South- Eastern and Central Anatolia and it is one of the most striking dance. It has a rich figure structure of simplicity is the symbol of creation and originality of the folk.
The rhythmic elements of halay dances are very rich and are mostly performed with drum-zurna combination as well as with kaval (shepherd's pipe), sipsi (reed), cigirtma (fife) or baglama (an instrument with three double strings played whit a plectrum) or performed when folk songs are sung. You may experience all the measures of the Turkish folk music in the halay melodies.
This folk-dance is performed to a large extent in the Eastern, South- Eastern and Central Anatolia and it is one of the most striking dance. It has a rich figure structure of simplicity is the symbol of creation and originality of the folk.
The rhythmic elements of halay dances are very rich and are mostly performed with drum-zurna combination as well as with kaval (shepherd's pipe), sipsi (reed), cigirtma (fife) or baglama (an instrument with three double strings played whit a plectrum) or performed when folk songs are sung. You may experience all the measures of the Turkish folk music in the halay melodies.
100 Kurus - Halk Oyunlari (Kilic-Kalkan)
Shield game or game sword fight sword shield folk dance known as single müziksiz Orhangazi period established by tanınmaktadır.Araştırmalara army talimli then carried out according to the methods of war after the game has become more antremanları. Sword fighters to the city has received Orhangazi Bursa t shield entered the show by doing. With important figures in six of the game is a function of each figure.
Peşrev: Military duty and the call çağrılış matches are exhibited to the army of uğurlanış.
Oath Ceremony: Novice Training as well as finished if we swear in the days of military service to accept gerekir. Burada and that he wants to fulfill a vow to honor and glory upon, is an oath on the sword.
Education: the soldiers preparing for war for the military education *** ürülerek war application denir. Savaşa teaching sahneleridir.Oyundaki preparation and wars figures, grinding sword, weapon information, and maintenance of cenk entry, the ability to hit The implementation of the enemies weighing and identification capability is to use exhibition.
Cenk and Magistrates Agreement: Both knees are to the opposite side cenk will ignite the war. Existing in the game, rhythm game during this war is lost place after the war alır. Cenkten noise gidilir.iki Drop by to durdurur. Oyunda war, these three sections separately for kullanılır.Helalleşme phrases, before cenk Communication for situations of war, and again for many of the same section mubareze, are used for the Drop-war armistice. Circuit agreements of the war to be left between the parties to have a conversation in the meantime gerekir. Cengaverin be alert to false words, do not fall ambush gerekir. Cengaverin weapon like a person who adhere to the word of the weapons in order to change the swing the sword and throw on the other side is attacking him with an adaptation işlenmiştir. Bu section within the game Changing the name given weapons and intimidation is the word used for this section. December War: Cengaver come to the aid of each other, they join with your friends with your own between the two sides began fighting. This war will be open during the Drop-off rhythm of war and war yoktur.Toplu experienced the joy of return.
Peşrev: Military duty and the call çağrılış matches are exhibited to the army of uğurlanış.
Oath Ceremony: Novice Training as well as finished if we swear in the days of military service to accept gerekir. Burada and that he wants to fulfill a vow to honor and glory upon, is an oath on the sword.
Education: the soldiers preparing for war for the military education *** ürülerek war application denir. Savaşa teaching sahneleridir.Oyundaki preparation and wars figures, grinding sword, weapon information, and maintenance of cenk entry, the ability to hit The implementation of the enemies weighing and identification capability is to use exhibition.
Cenk and Magistrates Agreement: Both knees are to the opposite side cenk will ignite the war. Existing in the game, rhythm game during this war is lost place after the war alır. Cenkten noise gidilir.iki Drop by to durdurur. Oyunda war, these three sections separately for kullanılır.Helalleşme phrases, before cenk Communication for situations of war, and again for many of the same section mubareze, are used for the Drop-war armistice. Circuit agreements of the war to be left between the parties to have a conversation in the meantime gerekir. Cengaverin be alert to false words, do not fall ambush gerekir. Cengaverin weapon like a person who adhere to the word of the weapons in order to change the swing the sword and throw on the other side is attacking him with an adaptation işlenmiştir. Bu section within the game Changing the name given weapons and intimidation is the word used for this section. December War: Cengaver come to the aid of each other, they join with your friends with your own between the two sides began fighting. This war will be open during the Drop-off rhythm of war and war yoktur.Toplu experienced the joy of return.
Kilic-Kalkan, Bursa is a folk dance with an özdeşle.
Ottoman army, battle scenes, sword-shield reflected the game, is played müziksiz. The player with the sound of the feet and knees are shot, the amount of music and rhythm in
Sword shield; 8 to 10 or more are played by anyone from "between the two teams. Farewell to the army and those who called in the game before meeting merâsimi is portrayed, then players will revive the public by creating a ceremonial oath, then the two teams will make the sword-shield collision. Demonstrations; truce game, head-to cengi stroke, swords with each other continue to be taken. Players in the air in unison shouting and waving swords with the scene closes.
His work with the folklorcu Mustafa Tahtakıran the 1932 figures pegged the game swords and shields were made standard, in the 1940s has become common in the school.
In the past, under the leadership of Mustafa Tahtakıran'ın go Nice'teki the world champion in a competition Bursa Kilic Kalkan The success of the team that a guru in Bursa was the source of gold medals and won it in other products located in TKM against the giant Karamürsel Shop photographs were exhibited.
A session of international festivals can be exhibitions, awards area, tourist groups statesman for the stand ceremonies played sword-shield game for a while harsh and frightening as, barbarian image of Turkey to support a rationale no longer contests do not attend, the Ministry of Education's folk as acceptable for not taught in schools is not. Sword Shield game today Bursa is made to live by the sword Shield Association.
Ottoman army, battle scenes, sword-shield reflected the game, is played müziksiz. The player with the sound of the feet and knees are shot, the amount of music and rhythm in
Sword shield; 8 to 10 or more are played by anyone from "between the two teams. Farewell to the army and those who called in the game before meeting merâsimi is portrayed, then players will revive the public by creating a ceremonial oath, then the two teams will make the sword-shield collision. Demonstrations; truce game, head-to cengi stroke, swords with each other continue to be taken. Players in the air in unison shouting and waving swords with the scene closes.
His work with the folklorcu Mustafa Tahtakıran the 1932 figures pegged the game swords and shields were made standard, in the 1940s has become common in the school.
In the past, under the leadership of Mustafa Tahtakıran'ın go Nice'teki the world champion in a competition Bursa Kilic Kalkan The success of the team that a guru in Bursa was the source of gold medals and won it in other products located in TKM against the giant Karamürsel Shop photographs were exhibited.
A session of international festivals can be exhibitions, awards area, tourist groups statesman for the stand ceremonies played sword-shield game for a while harsh and frightening as, barbarian image of Turkey to support a rationale no longer contests do not attend, the Ministry of Education's folk as acceptable for not taught in schools is not. Sword Shield game today Bursa is made to live by the sword Shield Association.
130 Kurus - Halk Oyunlari (Zeybek)
Zeybeks are, in general, the widespread folk dances of the Western Anatolia.
It is rendered by one person or two or by a group of people and its name changes for example as 'seymen' in the central parts of Anatolia. Zeybek dances are formed, in general, of 9/8 measures and have a variety of tempos such as very slow, slow, fast and very fast. Very slow zeybek dances have the measure of 9/2, slow ones 9/4 and some others 9/8. Very fast dances, for instance, teke (goat) dance seen in Burdur - Fethiye region can be regarded as dances of zeybek character, they have the traditional measure of 9/16 There is another folk dance named as BENGI in the zeybek region.
It is performed more differently than zeybek and has got a different musical feature and the most characteristic measure of bengi dance is 9/8. Particularly in slow zeybeks, the traditional instruments is drum- zurna combination. The use of 2 drums and 2 zurnas in combination is a tradition, function of one of the zurnas is accompaniment, in other words, it accompanies the melody with a second constant tune.
Apart from drum-zurna, a three-double string instrument baglama, reed, marrow bow etc. are used for fast zeybek dances. In particular, the traditional instrument of the teke (goat) dance region is reed.
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